Advent Calendar, December 21 Handel's Messiah, London Philharmonic

Listen Again

And With His Stripes We Are Healed

I know I already posted it, before we began the Advent Calendar. But I felt I’d like to post it again, because I was in a spiritually extreme, you might say dangerous state earlier today, and so many angels showed up, showing such empathy, and nobody judged me. So I have been thinking about angels, the kind that I can’t see and also the kind that are here, as people. Angels are beings that can hear people’s cries and they show up. That’s what they do. They show up. They remind people what can happen if they hold on a little bit longer. They lend people energy, and they see the big picture.

Years ago, I had a job in midtown and one afternoon when I walked home, through the crowded streets around Herald Square, I was cranky and walking in a zig zag between people who I was not feeling charitable toward. I saw a man facing me, leaning on a street pole, facing me as I approached, scowling. He was smiling. He had dark hair, was lanky and standing with his arms folded, looking right at me, but he wasn't a regular person. I remember grumpily wondering why he was smiling, and I didn't even smile back at him. I walked past him and when I got to the next corner, he was there again, still smiling, radiating a knowing kindness. How did he get there? “Oh,” I thought. “This is very strange.” I stopped in my tracks and looked at him. Then he vanished into thin air, in a split second.

I have no way of knowing what that was but that’s what happened. I felt sad that I had been so cranky. Was he assigned to me?

My mother Ulla used to take us to hear Handel’s Messiah in New York every December, when we were back in the states, and old enough to appreciate it. Which I didn’t really—but I do now.

I didn’t understand why each time I cried immediately when the audience rose for the Hallelujah chorus.

It turns out we are part of a very long human chain, though the exact details are in dispute:

“The custom of standing for the "Hallelujah" chorus originates from a popular belief that, at the London premiere, King George II did so, which would have obliged all to stand. There is no convincing evidence that the king was present, or that he attended any subsequent performance of Messiah; the first reference to the practice of standing appears in a letter dated 1756, three years prior to Handel's death.”[54][55]
—Wikipedia
(Barry used to say: “Too many good stories are ruined by over-verification.”)

I love this London Philharmonic version the most. And here’s an essay by Charles Morris, clarifying that really “Handel’s Messiah” begins with Charles Jennens. I wonder if his name shouldn’t be raised higher in our consciousness when we think about this astonishing masterpiece. When we think about the miracle that it exists. It’s not just a “masterpiece,” it’s some kind of miracle. I am not able to say more, but when I listen to it, I am renewed and lifted out of my own chains, temporarily. I am reminded that I don’t need to be angry. They can’t destroy this music, or how it makes us feel.

Handel’s Messiah: Lyrics and Verse References

Charles Morris • November 20, 2020

“Back in 2015, I visited Handel’s home in London to see the rooms where he composed. While I was there I spoke with Dr. Ruth Smith, a Cambridge scholar on Handel. She explained that the lyrics (the libretto) were not written by Handel himself, but that they are simply Scripture texts arranged by Handel’s friend, Charles Jennens.

[ Listen to the full podcast interview here. ]

In a time of rising secularism and humanism in England, Jennens was a member of the “Society for the Propagation of the Gospel” and a passionate evangelical believer. He believed that putting the gospel to music would communicate its truth, not just intellectually, but at a deep heart level.

This libretto was made up entirely of Old and New Testament texts combined to present the entire Christian message in a single piece. When it was finished he took it to his friend, the great composer, George Handel.

For 18 months the libretto sat on Handel’s shelf gathering dust until one day he took it down, dusted it off, and in three intense weeks, shut up in his flat on Brook Street, composed the oratorio that made the words come alive. He barely ate or slept; he was completely engulfed in the creation of this music—and he wasn’t alone. When he got to the Hallelujah chorus, his assistant found him in tears, saying, “I think I did see heaven open, and the very face of God.”

Handel’s Messiah captures the deep emotion of the story of our redemption. For your own copy of the 2-disc collection, I recommend you get a copy from Haven here. Below, you can view the lyrics that make up this extraordinary piece of Scripture set to music.

[ Download a short printable version of the verse references here. ]

Note: The text was set by Handel and differ from the King Jame’s Version in various places.

PART 1

1. Sinfonia – (Instrumental)

2. Accompagnato (Tenor) – “Comfort ye, comfort ye my people, saith your God. Speak ye comfortably to Jerusalem, and cry unto her, that her warfare is accomplished, that her iniquity is pardoned. The voice of him that crieth in the wilderness, Prepare ye the way of the Lord, make straight in the desert a highway for our God.” (Isaiah 40, vv.1–3)

3. Air (Tenor) – “Ev’ry valley shall be exalted, and ev’ry mountain and hill made low: the crooked straight and the rough places plain:” (Isaiah 40, v.4)

4.  Chorus – “And the glory of the Lord shall be revealed, and all flesh shall see it together: for the mouth of the Lord hath spoken it. (Isaiah 40, v.5)

5. Accompagnato (Bass) – “Thus saith the Lord, the Lord of hosts: Yet once, a little while and I will shake the heavens and the earth, the sea, and the dry land. And I will shake all nations, and the desire of all nations shall come.” (Haggai 2, vv.6–7); “The Lord, whom ye seek, shall suddenly come to his temple, even the messenger of the covenant, whom ye delight in: behold, he shall come, saith the Lord of hosts.” (Malachi 3, v.1)

6. Air (Bass) – “But who may abide the day of his coming? and who shall stand when he appeareth? for he is like a refiner’s fire.” (Malachi 3, v.2)

7. Chorus – “And he shall purify the sons of Levi, that they may offer unto the Lord an offering in righteousness.” (Malachi 3, v.3)

8. Recitative (Alto) – “Behold, a virgin shall conceive and bear a son, and shall call his name Emmanuel, God with us.” (Isaiah 7, v.14; Matthew 1, v.23)

9. Air (mezzo-soprano) and Chorus – “O thou that tellest good tidings to Zion, get thee up into the high mountain. O thou that tellest good tidings to Jerusalem, lift up thy voice with strength; lift it up, be not afraid; say unto the cities of Judah, Behold your God!” (Isaiah 40, v.9); “Arise, shine, for thy light is come, and the glory of the Lord is risen upon thee.” (Isaiah 60, v.1)

10. Accompagnato (bass) – “For behold, darkness shall cover the earth, and gross darkness the people: but the Lord shall arise upon thee, and his glory shall be seen upon thee. And the Gentiles shall come to thy light, and kings to the brightness of thy rising.” (Isaiah 60, vv.2–3)

11. Air (bass) – “The people that walked in darkness have seen a great light; and they that dwell in the land of the shadow of death, upon them hath the light shined.” (Isaiah 9, v.2)

12. Chorus – “For unto us a child is born, unto us a son is given: and the government shall be upon his shoulder; and his name shall be called Wonderful, Counsellor, The mighty God, The everlasting Father, The Prince of Peace.” (Isaiah 9, v.6)

13. Pifa Pastoral Sinfonia – (Instrumental)

14a. Recitative (soprano) – “There were shepherds abiding in the field, keeping watch over their flock by night.” (Luke 2, v.8)

14b. Accompagnato (soprano) “And lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid.” (Luke 2, v.9)

15. Recitative (soprano) – “And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord.” (Luke 2, 10–11)

16. Accompagnato (soprano) – “And suddenly there was with the angel a multitude of the heavenly host praising God, and saying,” (Luke 2, v.13)

17. Chorus – “Chorus Glory to God in the highest, and peace on earth, good will toward men.” (Luke 2, v.14)

18. Air (soprano) – “Rejoice greatly, O daughter of Zion; shout, O daughter of Jerusalem: behold, thy King cometh unto thee: he is the righteous Saviour, and he shall speak peace unto the heathen.” (Zechariah 9, vv.9–10)

19. Recitative (mezzo-soprano) – “Then shall the eyes of the blind be opened, and the ears of the deaf unstopped. Then shall the lame man leap as an hart, and the tongue of the dumb shall sing.” (Isaiah 35, vv.5–6)

20. Duet (mezzo-soprano/soprano) – “He shall feed his flock like a shepherd: and he shall gather the lambs with his arm, and carry them in his bosom, and gently lead those that are with young. (Isaiah 40, v.11); “Come unto him, all ye that labour, come unto him, that are heavy laden, and he will give you rest. Take his yoke upon you, and learn of him; for he is meek and lowly of heart: and ye shall find rest unto your souls.” (Matthew 11, vv.28–29)

21. Chorus – “His yoke is easy, and his burthen is light.” (Matthew 11, v.30)

PART 2

22. Chorus – “Behold the Lamb of God, that taketh away the sin of the world.” (John 1, v.29)

23. Air (mezzo-soprano) – “He was despised and rejected of men; a man of sorrows, and acquainted with grief. (Isaiah 53, v.3); “He gave his back to the smiters, and his cheeks to them that plucked off the hair: he hid not his face from shame and spitting.” (Isaiah 50, v.6)

24. Chorus – “Surely he hath borne our griefs, and carried our sorrows: he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him;” (Isaiah 53, vv.4–5)

25. Chorus – “And with his stripes we are healed.” (Isaiah 53, v.5)

26. Chorus – “All we like sheep have gone astray; we have turned every one to his own way; and the Lord hath laid on him the iniquity of us all.” (Isaiah 53, v.6)

27. Accompagnato (tenor) – “All they that see him laugh him to scorn: they shoot out their lips, and shake their heads, saying,” (Psalm 22, v.7)

28. Chorus – “He trusted in God that he would deliver him: let him deliver him, if he delight in him.” (Psalm 22, v.8)

29. Accompagnato (tenor) – “Thy rebuke hath broken his heart; he is full of heaviness. He looked for some to have pity on him, but there was no man, neither found he any to comfort him.” (Psalm 69, v.20)

30. Arioso (tenor) – “Behold, and see if there be any sorrow like unto his sorrow.” (Lamentations 1, v.12)

31. Accompagnato (tenor) – “He was cut off out the land of the living: for the transgressions of thy people was he stricken.” (Isaiah 53, v.8)

32. Air (tenor) – “But thou didst not leave his soul in hell; nor didst thou suffer thy Holy One to see corruption.” (Psalm 16, v.10)

33. Chorus – “Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of glory shall come in. Who is this King of glory? The Lord strong and mighty, the Lord mighty in battle.” (Psalm 24, vv.7–10)

34. Recitative (tenor) – “Unto which of the angels said he at any time, Thou art my Son, this day have I begotten thee?” (Hebrews 1, v.5)

35. Chorus – “Let all the angels of God worship him.” (Hebrews 1, v.6)

36. Air (mezzo-soprano) – “Thou art gone up on high; thou hast led captivity captive, and received gifts for men: yea, even for thine enemies, that the Lord God might dwell among them.” (Psalm 68, v.18)

37. Chorus – “The Lord gave the word: great was the company of the preachers.” (Psalm 68, v.11)

38. Air (soprano) – “How beautiful are the feet of them that preach the gospel of peace, and bring glad tidings of good things!” (Romans 10, v.15)

39. Chorus – “Their sound is gone out into all lands, and their words unto the ends of the world.” (Romans 10, v.18)

40. Air (bass) – “Why do the nations so furiously rage together: and why do the people imagine a vain thing? The kings of the earth rise up, and the rulers take counsel together against the Lord, and against his Anointed.” (Psalm 2, vv.1–2)

41. Chorus – “Let us break their bonds asunder, and cast away their yokes from us.” (Psalm 2, v.3)

42. Recitative (tenor) – “He that dwelleth in heaven shall laugh them to scorn: the Lord shall have them in derision.” (Psalm 2, v.4)

43. Air (tenor) – “Thou shall break them with a rod of iron; thou shall dash them in pieces like a potter’s vessel.” (Psalm 2, v.9)

44. Chorus – “Hallelujah: for the Lord God omnipotent reigneth.” (Revelation 19, v.6); “The kingdom of this world is become the kingdom of our Lord, and of his Christ; and he shall reign for ever and ever.” (Revelation 11, v.15); “King of Kings, and Lord of Lords.” (Revelation 19, v.16) “Hallelujah!”

PART 3

45. Air (soprano) – “I know that my Redeemer liveth, and that he shall stand at the latter day upon the earth: And though worms destroy this body, yet in my flesh shall I see God.” (Job 19, vv.25–26); “For now is Christ risen from the dead, the first fruits of them that sleep.” (I Corinthians 15, v.20)

46. Chorus – “Since by man came death, by man came also the resurrection of the dead. For as in Adam all die, even so in Christ shall all be made alive.” (I Corinthians 15, vv.21–22)

47. Accompagnato (bass) – “Behold, I tell you a mystery; we shall not all sleep, but we shall all be changed, In a moment, in the twinkling of an eye, at the last trumpet:” (I Corinthians 15, vv.51–52)

48. Air (bass) – “The trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed. For this corruptible must put on incorruption, and this mortal must put on immortality.” (I Corinthians 15, 52–53)

49. Recitative (mezzo-soprano) – “Then shall be brought to pass the saying that is written: Death is swallowed up in victory.” (I Corinthians 15, v.54)

50. Duet (mezzo-soprano/tenor) – “O death, where is thy sting? O grave, where is thy victory? The sting of death is sin; and the strength of sin is the law.” (I Corinthians 15, vv.55–56)

51. Chorus – “But thanks be to God, who giveth us the victory through our Lord Jesus Christ.” (I Corinthians 15, v.57)

52. Air (soprano) – “If God be for us, who can be against us?” (Romans 8, v. 31); “Who shall lay any thing to the charge of God’s elect? It is God that justifieth. Who is he that condemneth? It is Christ that died, yea rather, that is risen again, who is at the right hand of God, who makes intercession for us.” (Romans 8, vv.33–34)

53. Chorus – “Worthy is the Lamb that was slain, and hath redeemed us to God by his blood, to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing. Blessing, and honour, glory, and power, be unto him that sitteth upon the throne, and unto the Lamb for ever and ever.” (Revelation 5, vv.12–14) “Amen.”

I hope I am forgiven for continually missing the midnight deadline, and yesterday I missed The Advent Calendar altogether, because I was headed into the state I mentioned above. I’ll post two tomorrow. I notice that people really enjoy these, and I enjoy creating them.
Covid, a dark spirit that isn’t human at all, doesn't want us to listen to music like this.

Ulla wanted us to.