Also from wiki is this less than flattering side of Vishniac's work:
When photographic curator Maya Benton began to catalog Vishniac's negatives for the archive of the International Center of Photography, she noticed that, in his book A Vanished World, Vishniac juxtaposed photos to tell stories, and wrote captions that were not supported by the material. In the final spread of the book, for example, there is a photo of a man peering through a metal door; on the opposite page a small boy points with his finger to his eye. Vishiniac's caption reads: "The father is hiding from the Endecy (members of the National Democratic Party). His son signals him that they are approaching. Warsaw, 1935–1938." At the front of the book, additional commentary reads: "The pogromshchiki" (pogrom lynch mob) "are coming. But the iron door was no protection." Benton's research found that the photos were from different rolls of film, taken in different towns, so the scene described in the book "almost certainly did not happen".[2]
Similarly, Benton discovered negatives that showed the unsmiling little girl depicted in The Only Flowers of her Youth – whom Vishniac had claimed did not own a pair of shoes – smiling and wearing shoes.[2]
Michael di Capua, who edited Vishniac's text for A Vanished World, has said that he felt disquiet while compiling the text, since so much information was unsubstantiated.[2] Benton also suggested that the terms of Vishniac's commission from the JDC – to photograph "not the fullness of Eastern European Jewish life but its most needy, vulnerable corners for a fund-raising project" – had led to his overemphasizing poor, religious communities in A Vanished World.
On a personal note, I can't help but be touched by his sentimental portrait of a people, the tefillin optics notwithstanding. Sadly, innocent people can be used for not-so-innocent ends.
Good balanced review, IMO. These images when isolated and contextually accurate are a part of human history. But they can and seemingly have at opportune times been made politically expedient.
Some days I truly wish I could be a snowy owl instead of a fuking human. I would be in the Canadian wilderness far away from humans. I guess I’d have to share airspace
I get your repugnance but careful what you wish for. Snowy Owls have a rough existence when there's a lemmings scarcity, their primary food source. They'll eat their deceased own during those hard times which brings to mind tales of famished phuking humans.
Somehow I feel like I am being manipulated while watching this...perhaps it's the music? or is it that the photos are rather ordinary but I am expected to have an emotional response associated with guilt? Not sure, but it is clear to me that I am withholding judgement when confronted with objects presented as proof of humans being humans in varying degrees of existence because they are always "used" to tell the story of the shooter, not the shootee. -- Jury of one.
I agree that they have a double edge. To be sympathetic toward poverty regardless of culture is in the word of Shakespeare, The Milk of Human Kindness. But to incorporate it into a larger body of work the overriding theme of which is the perennial victims casts aspersions on the original time those photos were taken.
Old pictures in time recreate emotions of and from the past in the same way a return to childhood places creates emotions in a man or woman who lived in that time period.
Great pictures. What a great talent had this Vishniac.
The wikipedia page says he also worked on microphotography, whis is also very interesting to me. I've come to think that most of histopathology suffers the same problem as astrology: we see what we want to see.
I always wondered why orthodox Jews dress like that even today. I didn't knew the epoch of that dressing style, but it had to be late XIX or early XX century. Probably due to political restrictions on what could they buy and from whom. It seems like they cannot let go of the trauma, so they have attachment to all that. Like frozen in time, living pictures of their ancestors. This art certainly inspires compassion.
It is ironic that many of the 20th century's best minds came from communities like that. They got their freedom, emigrated to America, got educated, got woke, and stopped having kids. There's a moral in that somewhere.
The best minds were Wright (flight), Ford (automotive/industrialization); Shockley (transistors) and all of the other brilliant engineers that laid down the foundations for *everything* that makes modern life possible.
Grafted on top of that are a few 'shtejtl' people who, you know, like degenerate sex, theoretical physics and complete domination/destruction of civilization.
Certainly Edison, Maxwell, Faraday, Westinghouse, Davy and so many others were not Jewish. And the Jews who made great contributions didn't come from the ghettos. Einstein, Teller, Grove, Sarnoff. Nobody has a monopoly on genius.
The odd thing is how the Jews have let their franchise lapse. They aren't having kids. From the tenor of your comment, you may consider that a good thing.
Graham: I'll cop to being an inveterate jew-hater, but my comment wasn't really about that. I cut my teeth in theoretical physics, so I have enormous respect for Feynman. I also appreciate the work of Susskind/Witten on String Theory (although it seems, after 40 years, that it's not really going anywhere).
But theory, like homosexuality, is something that infects society *after* it's built. I still get an electric charge when I read about Gauss or Reimann, but I wish that the jews hadn't taken over all media, so that we could get plentiful and diverse expositions of all of the Aryan engineers that actually created the good parts of the world in which we exist. Unfortunately we're largely stuck worshipping things that jews are 'good at' which, once you see through it, holds only limited value.
Elie Wiess's "Night" was a work of fiction, with all accounts described made up to fit the narrative.
Edison stole Tesla's work, for goodness sakes!
National Socialism threatened the Global Banking Borg.
WW1 became WW2, now becoming WW3.
I believe that the fall of Jewish procreation has to do with newer generations realize they have been lied to, gaslit, deceived and other abuses.
Oh... there were no gas chambers, human skin lampshades and soap.
Finally, Jews do not do genocide; Zionists don't do genocide; but the pathologically fearful, psychopathic and self-destructive people that have fraudulently co-opted "Jew", "Zionist" and "Semite" do genocide by rote.
Also from wiki is this less than flattering side of Vishniac's work:
When photographic curator Maya Benton began to catalog Vishniac's negatives for the archive of the International Center of Photography, she noticed that, in his book A Vanished World, Vishniac juxtaposed photos to tell stories, and wrote captions that were not supported by the material. In the final spread of the book, for example, there is a photo of a man peering through a metal door; on the opposite page a small boy points with his finger to his eye. Vishiniac's caption reads: "The father is hiding from the Endecy (members of the National Democratic Party). His son signals him that they are approaching. Warsaw, 1935–1938." At the front of the book, additional commentary reads: "The pogromshchiki" (pogrom lynch mob) "are coming. But the iron door was no protection." Benton's research found that the photos were from different rolls of film, taken in different towns, so the scene described in the book "almost certainly did not happen".[2]
Similarly, Benton discovered negatives that showed the unsmiling little girl depicted in The Only Flowers of her Youth – whom Vishniac had claimed did not own a pair of shoes – smiling and wearing shoes.[2]
Michael di Capua, who edited Vishniac's text for A Vanished World, has said that he felt disquiet while compiling the text, since so much information was unsubstantiated.[2] Benton also suggested that the terms of Vishniac's commission from the JDC – to photograph "not the fullness of Eastern European Jewish life but its most needy, vulnerable corners for a fund-raising project" – had led to his overemphasizing poor, religious communities in A Vanished World.
On a personal note, I can't help but be touched by his sentimental portrait of a people, the tefillin optics notwithstanding. Sadly, innocent people can be used for not-so-innocent ends.
Good balanced review, IMO. These images when isolated and contextually accurate are a part of human history. But they can and seemingly have at opportune times been made politically expedient.
Some days I truly wish I could be a snowy owl instead of a fuking human. I would be in the Canadian wilderness far away from humans. I guess I’d have to share airspace
on rare occasions. . .
I get your repugnance but careful what you wish for. Snowy Owls have a rough existence when there's a lemmings scarcity, their primary food source. They'll eat their deceased own during those hard times which brings to mind tales of famished phuking humans.
When two snowy owls kiss, the entire ophtalmologist profession gasps. "Please, be careful with that beak!"
The chemtrails mush would still fall on you, and your prey that you would naturally consume.
Thanks for the comment s! No where to hide except maybe bottom of the deepest ocean and under the ice caps.
And under ground, deep enough below.
Nice options eh.
At some point in acceptance of the overall situation, either laugh, do drugs or cry.
Of course, never give up to dethrone these self appointed reptilian psychopaths!
Somehow I feel like I am being manipulated while watching this...perhaps it's the music? or is it that the photos are rather ordinary but I am expected to have an emotional response associated with guilt? Not sure, but it is clear to me that I am withholding judgement when confronted with objects presented as proof of humans being humans in varying degrees of existence because they are always "used" to tell the story of the shooter, not the shootee. -- Jury of one.
I agree that they have a double edge. To be sympathetic toward poverty regardless of culture is in the word of Shakespeare, The Milk of Human Kindness. But to incorporate it into a larger body of work the overriding theme of which is the perennial victims casts aspersions on the original time those photos were taken.
Old pictures in time recreate emotions of and from the past in the same way a return to childhood places creates emotions in a man or woman who lived in that time period.
My soul thrives listening and watching. Shalom Hashem.
stirs my recent ancestral memories - grateful to see and join them again. with no family now, these are the ones i came from. thank you
Great pictures. What a great talent had this Vishniac.
The wikipedia page says he also worked on microphotography, whis is also very interesting to me. I've come to think that most of histopathology suffers the same problem as astrology: we see what we want to see.
I always wondered why orthodox Jews dress like that even today. I didn't knew the epoch of that dressing style, but it had to be late XIX or early XX century. Probably due to political restrictions on what could they buy and from whom. It seems like they cannot let go of the trauma, so they have attachment to all that. Like frozen in time, living pictures of their ancestors. This art certainly inspires compassion.
People of all races lived in filth back then. I still can't figure out how the menses were managed except that women just didn't go out much.
It is ironic that many of the 20th century's best minds came from communities like that. They got their freedom, emigrated to America, got educated, got woke, and stopped having kids. There's a moral in that somewhere.
Uh... they... didn't? That's just propaganda.
The best minds were Wright (flight), Ford (automotive/industrialization); Shockley (transistors) and all of the other brilliant engineers that laid down the foundations for *everything* that makes modern life possible.
Grafted on top of that are a few 'shtejtl' people who, you know, like degenerate sex, theoretical physics and complete domination/destruction of civilization.
Certainly Edison, Maxwell, Faraday, Westinghouse, Davy and so many others were not Jewish. And the Jews who made great contributions didn't come from the ghettos. Einstein, Teller, Grove, Sarnoff. Nobody has a monopoly on genius.
The odd thing is how the Jews have let their franchise lapse. They aren't having kids. From the tenor of your comment, you may consider that a good thing.
Graham: I'll cop to being an inveterate jew-hater, but my comment wasn't really about that. I cut my teeth in theoretical physics, so I have enormous respect for Feynman. I also appreciate the work of Susskind/Witten on String Theory (although it seems, after 40 years, that it's not really going anywhere).
But theory, like homosexuality, is something that infects society *after* it's built. I still get an electric charge when I read about Gauss or Reimann, but I wish that the jews hadn't taken over all media, so that we could get plentiful and diverse expositions of all of the Aryan engineers that actually created the good parts of the world in which we exist. Unfortunately we're largely stuck worshipping things that jews are 'good at' which, once you see through it, holds only limited value.
Elie Wiess's "Night" was a work of fiction, with all accounts described made up to fit the narrative.
Edison stole Tesla's work, for goodness sakes!
National Socialism threatened the Global Banking Borg.
WW1 became WW2, now becoming WW3.
I believe that the fall of Jewish procreation has to do with newer generations realize they have been lied to, gaslit, deceived and other abuses.
Oh... there were no gas chambers, human skin lampshades and soap.
Finally, Jews do not do genocide; Zionists don't do genocide; but the pathologically fearful, psychopathic and self-destructive people that have fraudulently co-opted "Jew", "Zionist" and "Semite" do genocide by rote.
Thank you!