OK, I watched every trailer, and listened to every version.
I decided (for my taste) Matt Monro is the superior version to the much more popular (on the charts) Andy Williams version, and this (above) is my favorite trailer.
“If I had to choose three of the finest male vocalists in the singing business,” Frank Sinatra once said, “Matt Monro would be one of them. His pitch was right on the nose; his word enunciations letter-perfect; his understanding of a song thorough.”
“The song's composers, John Barry and Don Black, asked British singer Matt Monro, who was managed by Black at the time, to record the song for the film's soundtrack. The producers of the film considered the song uncommercial, however, and deleted it from the print shown at its Royal Command premiere in London. When Monro, who attended the event, made Black aware of the edit, they successfully lobbied the producers to restore it. Monro's interpretation appeared over the closing credits in a shortened version recorded especially for the film, which enabled it to qualify for the Academy Award. Monro's complete commercial recording was released on the film's soundtrack album and became the singer's signature tune for the remainder of his career.”
Here’s a tribute to the real life George and Joy Adamson:
I’m 60 in a couple of weeks, and I still remember this song when I was a child in my first years.
I sing this when my cat goes outside-lol!
Absolutely beautiful, thank you Celia.
Perhaps the worst prison is bestowed by your very will and you remain a prisoner of your own mind.